Palais des Congr?s in Paris instead of the musical event of the orchestra playing scores selection of video game series

In 1913, the Paris Public Theatre des Champs-?lys?es flirted with full-scale riot in the first Rite of Spring horny. This is certainly felt as uninhibited flirt mistreat the poor, soon-to-be-bruised soul in the orchestra, objects were thrown by hand by a furious public led to the forefront-tion of the works of Stravinsky. But no lasting damage done that night.

A century later and Steve Reich occasional knees-up side (New York, 1973: a show where four bodies audience boos culminated with a woman's head repeatedly hit the stage, shouting "Stop, stop, I confess." Steve Reich Kneeling down at the time) riots and classical concerts are separated.

disorders remained coiled and brutal for a quarter of a century nethertowns rock concerts, punk spilled pints, the fight against grunge, hard-rock power chords sustained guttural suckerpunches. But rock music takes its anger at the surface (as a patch?). To get there, the music is where the real fight takes place, and the mosh-pit offers a peer refereed boxing ring for those who need to pretend otherwise.

Today, music is often the accompaniment of the riots, but rarely the instigator. However, one hundred years after the revolt of Stravinsky, and a mile and a half on the road in the cave Congress Palace of Paris, this aromatic group carry with them the threat of injury. Yes, this crowd seems a bit fighty exhausted. VIP front row tickets cost € 130 strong, and buyers lack a certain joie de vivre in the search for squatters have migrated from the cheap seats for them in the hope of a better view. Pandemonium is quiet, safe - all participants hoarse whisper fly-swat points in their attempt to pastor disorder in order - but I can not help thinking that I'm happy tonight bassoon. I blush too easily.

this responsibility to a member of the Lamoureux Orchestra, founded in Paris in 1881 by Charles Lamoureux concert who conducted the premieres of Debussy Nocturnes in 1900 and 1901. Debut tonight in France, a selection of pieces from Final Fantasy - a series of video games, which celebrates 25 years - under the direction of Arnie Roth of Chicago, an event called Distant Worlds

classical music, to the chagrin hitting his most faithful disciples, has retained its well-dressed standing in the dominant culture by soundtracks of the past 50 years.

But for young people from the Congress Centre, is the way video games that made this evening mass. A victory may be uneducated, but it is difficult to imagine that many other classic free billing met a European city youth, and even less at these prices.

The concert started 30 minutes late, but at least everyone has a seat. Nobuo Uematsu, Japanese composer responsible for the vast majority of the music in the slideshow on stage wearing a headscarf Axl Rose and noise Super Mario mustache endemic (the good kind, not the kind of Stravinsky), before descending the cries of public. emotion to take their position on a seat not squatted in the crowd

All

(and this is the correct terminology, as driver distant world chose a small selection of the greatest hits of the night, withdrew hundreds of compositions that soundtracked Final fantasy 20 and exits games tip) opens with the signing of the harp arpeggio series before Lusec Wecos seguing Fithos Vinosec in a piece of opera sung brilliantly by The Choir Lamoureux. Extends a high screen showing the scenes images from the eighth game of the series, with music. I am surprised to find myself swallowing emotions.

Music

are all kinds of magic, of course, and in the most literal sense of the word mystical. Music has the power to transform the atmosphere and the temperature of the audience and the individual, not just emotion can evoke the memory, but the taste and experience of memory. Music is many spells - has the power to change the order of the mind, to increase or decrease the blood to produce tears or teeth set on edge - but the trick is a more powerful means of transport, and the combination of heat with its Niagra these old pictures brings us individually and collectively to another location.

Roth returns to the French and proposes a "rainbow coop thank you" before asking the crowd like Final Fantasy XIII? Title This is the last base of the series, one of the first products without the direction of creator Hironobu Sakaguchi, who left the company under a black cloud that is 120 million lost money at the box office after its failure final movie Fantasy: The Spirits Within. The game was poorly received by something that many, as evidenced by the applause of the crowd reluctantly. Roth But another surprise for us: the creators of Final Fantasy XIII Motomu Toriyama and Yoshinori Kitase are in the crowd! thwacks The projector turns, applause more moderate. Sorry for children. Billing is all wrong, you see. Kitase worked on Final Fantasy 20 years, while Toriyama was responsible for some of the most memorable scenes in the seventh game, considered as one of the best. Yet, I think you're only as good as your last game.

is likely that these humble beginnings to achieve attractive humility today. He approaches his career with a mixture of wonder and wide-eyed appreciation. The excitement has not diminished with age or performance. A few years ago, after I interviewed for a magazine Uematsu, eating cucumber sandwiches in a hotel lobby when he released a CD: R themes of his side project band The Black Mages (group played versions of rock arranged his compositions Final Fantasy - music is where the real action takes place), and grooving in my hand. It is the conduct of a member of the band college aspirant, not multi-million selling, award-winning composer of classical music.

Uematsu joins the orchestra for one piece. He is a competent pianist, but the pressure to perform in this environment (fighty cavernous) clearly outside. Roth provides reinforcements violin (the Grammy-winning director is an exceptional player, despite his protests false) and the crowd is a sea of ??screens, mobile phones act as the 21st century is the lightest choice , recording that YouTube was the preservation of the smuggler. The play comes to an end and delicate lights off. Nobuo leaves the audience to thank yowls.
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